One of the most prolific figures in the field of Japanese photography, Nobuyoshi Araki (b. 1940) has produced countless pictures and more than five hundred photobooks since 1970. Such an abundant body of work defies easy categorization, an endeavor made all the more challenging by Araki’s experimentation with media including collage, film, and, more recently, Polaroid instant technology. Araki’s wry, irreverent work, frequently employing sexual subject matter, has often ignited controversy and earned him a degree of notoriety. The frenetic nature of his photographs, which he tends to shoot with very little preparation, is emblematic of the Japanese experience of World War II and its chaotic aftermath.

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